Sunday, 1 June 2014

1.6.14 I have had a mad panic to realize my new publisher is a poet too. I wondered what the hell I would do if I didn't like his work. How awkward that would be. Yesterday, I decided to take the plunge, and it was great. I had a thoroughly lovely time. He's a very fine writer. I wrote to him right away and below is a potted version of that email:

Peter Carpenter: Just like That. smith/Doorstop


Peter, I've read right through your book -- and loved it!
Among the beauty, humour, fine description, and a known kind of painterly landscape (difficult to describe otherwise, but to me a bit like Paul Nash
​and Ravillious ​
who I love) is a kind of English decency. It's hard to say how very good this is to read without you thinking I'm saying it's dull. It's not --it's just so very rare. We've had so much post-imperial angst and loss of identity, and guilt and bollocks and good things being grabbed by the Right or turned into caricatures like Cameron and his crew or Farage. So much not knowing ourselves if it isn't regional in some way. Even Larkin whose four slim volumes I loved --and I love your poem on that - was kind of acid.


​And ​I have been waiting so long for someone to do what you have done to Eliot, I haven't been able to stop laughing WITH DELIGHT for about half an hour! It's brilliant, really brilliant.
​If you never wrote anything else, you should be remembered with gratitude for 'The League Goals....

You​ are not ​highly dramatic, but ​you have really born witness and really looked. Noticed. Spoken up or out when  needed, loved, lost (I love the poems about the children - so tender -- and about your parents -- their loss and losses particularly), just 'carried on' in the wider sense. It's smaller scale like Austen or Emily Dickinson, but with huge trajectories into violence and war, torture, decay, outrage, etc then an adroit return to golf, cricket, being matter of fact.. This is summed up really in the poem 'The Tenth' --ostensibly about golf, it is in fact about grief and scattering ashes (presumably your father's). I suppose it's the drama in every day life really. You are reticent about wounds, though they are there, and you are openly and roundly tender.
I have noted so many poems I especially loved --my particular favourites:

'The Dimension of the Present Moment' (fabulous), 'Old Ground'(I know that so well -so well put!), 'Double Helix'(great stuff), 'Downs', 'The Tenth', Towards Cap Gris Nez',' 'The Baby', (amazing), 'Summit' (that's a huge work), 'Horton' (ditto), 'An unidentified Man' -one of my very favourites, 'Sand Person' (ditto), 'Gift' -love this! 'To one who denied the truth' --yes, I love that steadiness! 'Entering the Midlands', 'Old Mouldy' -in my case old Hollyhocks ie Miss Hollier, or old Scabby, Mr Scammel my English teacher who wrote 'The Squid-Jigging Ground' in Newfoundland --I was horrible to him I liked him so much!! 'On finding an Old Photograph', iv, especially of 'Cambridge', and of course your lovely 'Two Men Contemplating the Moon'.
Thank you for this lovely afternoon of pleasure! You literally have made my day!
Olivia x

Wednesday, 28 May 2014

28 May, 2014

My new book, The Wilding Eye, New and Selected Poems, will be published by Worple Press in 2015. Thrilled by Worple Press with its beautifully designed books and terrific authors, having Peter and Amanda Carpenter to work with, and Michael McKimm, already very kind, welcoming and helpful. Some days the sun really does shine!!

Saturday, 24 May 2014

24.5.14

Post election:  another letter in Guardian today -- and pretty little cartoon:

http://www.theguardian.com/politics/2014/may/23/ukip-signals-labours-great-chance

Letter is second one down, slightly pruned so not as literate as it was.

Saturday, 17 May 2014

The EU Marine Board's 10 Year Report on the seas, underwater habitats and climate change, illustrated by my poem, 'Pavlopetri', has gone to Press. It will be presented at a global Conference in Rome this autumn.


Website Updates:

My reading at Cheltenham Poetry Festival, 6 April, 2014, is posted as an audio recording on the link from Home Page.

My poem 'The Wilding Eye', published by the University of Oxford, in Oxford Magazine, Nought Week, Trinity Term, 2014, is now posted here as new Work.

A new teeny picture of me is on the Home Page.

Tuesday, 29 April 2014

29 April,2014 Very pleased. My new title poem 'The Wilding Eye' has appeared in Oxford Magazine, nought week issue. In a week or two I'll get it put up on my new work page. Should have Cheltenham recording up by then too, and even a more bearable recent photo!

Thursday, 10 April 2014

10 April,2014

Two new poems in April Issue, Quadrant, Australia. Journal available here in UK also. Two poems by Mayra Schneider too. A poem also by Clive James.

Monday, 7 April 2014

7 April, 2014

Reading at Cheltenham poetry festival yesterday was really good fun. A great crowd, very receptive audience. Ross, Robin and Anna, the Festival and event organizers, are the kindest most thoughtful  people I have come across in these contexts. A great thanks to them for making it all so easy and comfortable.